An In-Depth Review of Cheap Trick's 1977 Album 'In Color'

When Cheap Trick released In Color in 1977, the band took a decisive step in their musical journey. This album, marked by its alternating qualities, offers a blend of strengths and flaws that make it a fascinating study for fans of 1970s rock. Let's delve into a detailed review of this pivotal work.

Production Flaws and Live Performances

In Color is often cited as one of the less impressive albums in the band's discography by some critics, including myself. While the debut album and the one that followed, Heaven Tonight, are regarded as more polished, this album's raw production can leave it feeling somewhat underdeveloped. The sound lacks the craggy grit that characterizes some of the band's later works, which some might find disappointing.

However, the album's importance cannot be overstated. Many of the tracks were sublimely rendered live, with songs like ‘Clock Strikes Ten,’ ‘Come on Come on,’ and the iconic ‘I Want You to Want Me’ making their mark on concert stages. The live performances often pushed these songs to new heights, making In Color a treasure for anyone looking to experience Cheap Trick's live chemistry.

Release and Legitimacy

A real curiosity about In Color is the fact that when Steve Albini helped to re-record the album, the band relied almost exclusively on the arrangements they had used in their shows. Unfortunately, this re-release has never been made available on legitimate channels, a decision that strikes many as a missed opportunity for both the band and their fans.

Personal Connection and Appreciation

As a Chicagoan, my personal connection to Cheap Trick is deep. My first exposure to In Color was through a bold purchase before I had heard a single track. Playing it for the first time, every song captivated me, and it remains the only Cheap Trick album that doesn't have a 'filler' song. The album's consistent quality and the rawness of its production make it a rich musical experience.

Critical Reception and Fan Perspective

Efforts to create a 'perfection' in their songs often fell short for Cheap Trick, as my review of "He's A Whore" demonstrates. The catchiness of the verses and pre-chorus in "He's A Whore" stands in stark contrast to the less engaging chorus. Similarly, "Dream Police" with its unnecessary instrumental bridge mars what could have been a perfect rock gem.

Cheap Trick always struck a balance of catchy songwriting with rock integrity, but their albums were not always reliable. Stray parts in songs often detracted from their overall perfection. In this regard, even Live at Budokan, a pivotal moment in their career, had its imperfections. Some listeners, including myself, find The Knack's music to be a smoother, more perfect rendition of Cheap Trick’s sound.

Conclusion

This review may not be conventional, but it served as a reminder to revisit In Color, a 1977 classic that stands as both a flawed and important milestone in Cheap Trick’s career. The album's legacy is cemented by its live performances and its influence on the band's subsequent works. I hope this review generates further appreciation for this lesser-known but immensely valuable album.