Choosing the Optimal Position for High Eb in Schumann’s 3 on Tenor Trombone

Introduction: Trombone playing requires a deep understanding of the instrument's tuning mechanisms and the subtleties of its positions. The trombone, with its large tuning slide, offers a multitude of playing techniques, each suitable for different musical contexts. This article explores a specific piece of literature - an excerpt from Robert Schumann's work - and discusses the nuances of playing the high Eb note in either second or third position on the tenor trombone.

Current Player's Perspective

I, along with many others, play the high Eb in third position. This position feels more centered and better in tune on my Conn 88-H, a model from the 1970s. However, it is important to note that individual preferences and the characteristics of one's own trombone can influence this decision. Therefore, while third position works well for me, your mileage may vary.

Understanding Trombone Positions

The trombone's tuning slide positions are designed to cover a specific range of notes, with general intervals of 3.5 inches between each position. However, this does not remain constant, as the positions will vary based on the key signature and the range being played. In the higher ranges, the positions become closer together to maintain accurate intonation.

Context of the Schumann 3 Piece

For the specific excerpt from Schumann 3, playing the high Eb in the second position might be more advantageous. The tone differences between the second and third positions are minimal, and in some cases, the brightness of the third position high Eb might not fully match the horn sound of the overall ensemble. When doubling other instruments, it is essential to maintain a balance in brightness and tone without over-emphasizing one instrument over another.

Transitions from a high Bb in the first position often require minimal slide movement for safety reasons. Playing in the second position poses a lower risk of pitch fluctuations due to the shorter slide distance. Additionally, moving up and down through this position skips fewer partials, thus providing a smoother transition and fewer potential tuning issues.

Purposing Higher Positions in the High Register

When playing in the high register, using the shortest position helps achieve a purer, more focused sound due to its position in the overtone series. This tone quality is crucial for maintaining a clear and clean sound that complements the overall ensemble performance.

Conclusion: Tuning and Resonance

No matter which position you choose, accurateness in tuning is paramount. Use of a drone is recommended, especially in the high range, where many tuners become finicky. Mastering proper resonance in this range is also key to producing a consistent and polished sound.

In summary, the choice between second and third position for the high Eb in Schumann's 3 on the tenor trombone depends on individual preferences, the specifics of your trombone, and the overall context of the piece. For a more balanced and centered sound, second position might be the preferable choice, but always ensure your tuning is correct and your resonance is well practiced.

Related Keywords

By understanding the intricacies of trombone position and the nuances of different pieces, musicians can enhance their performance and achieve the best sound possible.