Elmex Lake Palmer's 'Tarkus': Beyond the Classic Rock Label

Introduction: The iconic symphonic rock composition 'Tarkus' by Emerson, Lake Palmer has historically been classified under the Classic Rock label due to its orchestral and instrumental complexity. However, recent interpretations and covers, especially by Ono Ryoko, reveal a deeper, underlying jazz element. This exploration delves into the musical nuances that place 'Tarkus' in the broader context of symphonic rock, jazz rock, and progressive rock.

Elmex Lake Palmer and 'Tarkus'

Elmex Lake Palmer, often simply referred to as ELP, released 'Tarkus' in 1971 as part of their album 'Thank You.' The composition is a masterful blend of classical and rock elements, with symphonic orchestrations and high-speed virtuoso performances. While the vocal sections are indeed powerful, it is in the instrumental sections where the true richness of ELP's composition becomes apparent.

Instrumental Sections and Jazz Fusion Elements: In particular, the instrumental sections of 'Tarkus' exhibit a distinct jazz fusion influence. This is most evident in the compositional structure and the use of improvisation, which is characteristic of jazz fusion. This musical style, which emerged in the 1960s and 1970s, blends jazz improvisation and rhythm with rock and funk. The Ono Ryoko cover of 'Tarkus,' performed at a manic speed, brings these underlying jazz elements to the forefront, dissolving into chaotic yet recognizable passages.

Labels of the 1970s and Beyond

The music scene of the 1970s saw the emergence of various labels to categorize bands and compositions. Among them were Classical Rock and Progressive Rock. The term Classical Rock was used to describe ELP for their inclusion of classical elements like those from Mussorgsky, Copland, and Janáek. However, this term was often overshadowed by Classic Rock, which developed a different meaning over time.

The label Progressive Rock became commonly used to describe ELP, emphasizing their innovative and complex compositions. Meanwhile, the Jazz Rock label, which gained traction around the same period, described a trend where rock artists began incorporating jazz elements into their music. Artists such as Miles Davis, Chicago, Blood Sweat Tears, Frank Zappa, and even The Doors were pioneers in this movement. The term Jazz Fusion, which emerged later, describes music that fuses jazz improvisation with rock and funk, often characterized by large amplification systems, high-speed playing, and rock-arena venues.

'Tarkus' as Jazz Fusion: 'Tarkus' aligns with the characteristics of Jazz Fusion, particularly in its use of high-speed virtuoso playing and the emphasis on complex, improvisational sections. However, the term 'Jazz Fusion' is often associated with groups like Weather Report, Return to Forever, and Mahavishnu Orchestra. These groups, while similar in some respects, were led by musicians with bona fide jazz backgrounds, such as John McLaughlin, Chick Corea, and Joe Zawinul.

Therefore, while 'Tarkus' could certainly be labeled as Jazz Fusion, it may not fit the traditional perception of this genre that captures the essence of this band's unique style. The complexity and virtuosity of 'Tarkus' make it a standout piece that encompasses multiple genres, challenging simple classifications.

Conclusion

Elmex Lake Palmer's 'Tarkus' is a multifaceted composition that transcends the classic rock label. Its intricate instrumental sections, high-speed virtuoso performances, and underlying jazz influences place it firmly in the realms of symphonic rock and jazz rock. Exploring these musical nuances not only enriches our understanding of ELP's work but also highlights the intersection of different genres within the music of the 1970s.

References and Further Reading

For further exploration of these genres and their impact on 1970s music, consider reading books like Rockism by Simon Frith or listening to albums by Weather Report, Return to Forever, and Mahavishnu Orchestra.