Exploring 60s and 70s Music: Drug Glorification and Anti-Drug Songs

The era of the 1960s and 70s saw a profound shift in the cultural zeitgeist, particularly in the realm of music. While the decade of the 2010s is often associated with the rise of anti-drug culture, the 1960s and early 1970s prominently featured music that either supported or discouraged drug use. This article delves into the selection of songs from these decades, showcasing both drug glorification and anti-drug sentiments.

Anti-Drug Songs from the 60s

One of the most notable anti-drug songs of all time actually comes from the 1970s, but its roots can be traced to earlier decades. However, the mother of all anti-drug songs that truly had a significant impact came from the 1970s with:

That Smell - Lynyrd Skynyrd (1977)

This song by Lynyrd Skynyrd is often cited as a powerful anti-drug message, reflecting a growing cultural concern about drug abuse.

Songs from the 1960s

The 1960s presented a unique blend of both drug glorification and anti-drug sentiments. Here are some notable tracks:

Kicks - Paul Revere the Raiders (1966)

A song that hits the tone of the time, “Kicks” by Paul Revere the Raiders suggests the dangers of drug use in an era when many were exploring new experiences.

Pills - Bo Diddley (1961)

Believe it or not, Bo Diddley was one of the first to openly address the dangers of drug use with his track "Pills." He was ahead of his time in identifying the issue and expressing his concerns.

Drug Culture and Music in the 60s and 70s

The late 1960s marked the beginning of a significant drug culture in music, reflecting the hippie counterculture of that era. However, the 1970s saw an escalation of such themes, as the acid scene gained prominence. Here are some prominent examples from the 1960s and early 1970s:

The Small Faces - Here Comes the Nice (1967)

With "Here Comes the Nice," The Small Faces offer a drug-themed tune that reflects the cultural climate of the era.

The Jimi Hendrix Experience - Purple Haze (1967)

This iconic track by Jimi Hendrix not only captured the spirit of the 1960s but also subtly promoted a positive outlook on drug use, representing a key moment in the era's music. It raised awareness about the psychedelic experiences that were so prevalent during this time.

The Velvet Underground - Heroin (1967)

Lou Reed's "Heroin" from The Velvet Underground doesn't glorify the drug directly but rather offers a raw, honest portrayal of its impact, which served as a critical social commentary on the era.

Controversial Beatles Tracks

While the 1960s Beatles songs often referred to drug use in their lyrics, the interpretations are as varied as the interpretations of any Beatles song.

Lucy in the Sky with Diamonds (The Beatles, 1967)

One of the most debated tracks, "Lucy in the Sky with Diamonds" has been interpreted as a reference to LSD, though the band members themselves often claimed it was inspired by a drawing by Paul McCartney’s son, Julian.

Day Tripper (The Beatles, 1965)

A more straightforward ambivalence, "Day Tripper" has been interpreted by fans in a myriad of ways. Paul McCartney's comments in various interviews further adds to the intrigue.

White Rabbit (Jefferson Airplane, 1967)

Jefferson Airplane’s "White Rabbit" is an anthem for the drug culture of the era, with its poetic lyrics reflecting the prevailing mindset of the hippie movement.

More Examples of 60s Drug-Related Songs

Here are other notable songs with drug references from both the 60s and early 70s:

Needle of Death - Bert Jansch (1965)

This bluesy track by Bert Jansch poignantly refers to addiction, making it a powerful tribute to the darker side of drug culture.

Got to Get You into My Life - The Beatles (1966)

"Got to Get You into My Life" by The Beatles, while not explicitly about drugs, often evokes images of the era's drug culture with its catchy melody and suggestive lyrics.

Conclusion

While both the 1960s and 1970s saw a variety of songs referencing drugs, interpreting these songs remains a subjective task. Some tracks like "White Rabbit" and "Purple Haze" are unabashedly celebratory of the drug experience, while others like "That Smell" and "Pills" are decidedly anti-drug. Only the intended message of the artist truly defines these tracks, and as a listener, it is up to you to determine which category each song falls into.