Multi-Neck Guitars in Rock: A Tool for Musical Versatility

Why Do So Many Rock Bands Use Multi-Necked Guitars?

Rock bands often utilize multi-necked guitars to achieve unique sounds and smooth transitions within a performance. In reality, a multi-necked guitar is not a single instrument but rather a fusion of two or more guitars sharing a common body, much like a conjoined twin. This rare setup allows for multiple strings, tunings, and even accessories like loopers to be connected, providing incredible flexibility for musicians on stage.

Understanding Multi-Necked Guitars

Contrary to popular belief, there is no such thing as a ‘multi-necked guitar’ in the traditional sense. What we refer to as multi-neck guitars are actually separate instruments fused together at the body. Each neck and its associated strings operate independently, except for the shared body which provides structural support. This unique setup can be extremely heavy, as it essentially involves carrying multiple guitars, which might explain why they are not used more frequently.

Why Use Multi-Neck Guitars?

The primary reason for using multi-necked guitars is to change instruments mid-song without losing momentum. For instance, a guitarist might want to switch from a 12-string guitar to a 6-string in the middle of a performance. The intonation, setup, and even different tunings can be crucial elements that require an immediate change in sound. Using a multi-neck guitar allows the musician to seamlessly switch between these setups without interrupting the flow of the performance.

Performance considerations are also a significant factor. Bands like Cheap Trick, known for their use of a 5-neck guitar, add an extra layer of complexity to their performances. Not all five necks are used simultaneously, but the versatility they offer can create a dynamic and engaging show. This setup not only provides musical flexibility but also adds an element of spectacle and excitement to the performance.

Historical Precedents

The use of multi-necked guitars in rock music is not a modern phenomenon. Among the first guitarists to employ this technique were Charlie Whitney of Family and Mike Rutherford of Genesis. Whitney utilized a 12-string, 6-string combination, while Rutherford had a 12-string bass guitar that allowed for a range of playing styles, from delicate fingerpicking to powerful chords.

These pioneering musicians set the stage for future multi-instrumentalists. Charlie focused on using the 12-string for rhythm and the 6-string for leads, showcasing the versatility of the setup. Mike Rutherford took this a step further, playing both rhythm and bass parts using the 12-string, while simultaneously using his feet to play bass pedals. This technique was years ahead of its time and inspired many musicians who followed.

Modern Examples

Chris Squire of Yes is another notable figure who showcased the power of multi-necked guitars with his triple-neck bass. Similarly, Michael Angelo Batio is renowned for his ability to play lead guitar with both hands. Rick Nielsen of Cheap Trick took things to the extreme by adapting his multi-necked guitar in funny and innovative ways, turning it into a performance piece that is both amusing and impressive.

Steve Vai, known for his virtuosic guitar skills, was once seen playing a 3-neck guitar while sitting down. This setup included a standard-tuned neck, a neck tuned to the Open G tuning, and a fretless neck, with a looper connected to one of them. The result was a stunning display of musical versatility and creativity.

Conclusion

Multi-necked guitars serve as a powerful tool for rock musicians, offering the ability to switch sounds, keys, and tunings seamlessly during performances. From weighty conjoined instruments to lightweight setups, multi-neck guitars have evolved to meet the diverse needs of modern rock bands. As long as musicians continue to push the boundaries of their craft, multi-neck guitars will remain an intriguing and essential part of their arsenal.