The Evolution of John Lennon’s Songwriting: From The Beatles to Solo Career

John Lennon's career as a songwriter underwent significant changes both within and outside The Beatles. His solo work, while often perceived as lacking in potential, reveals a more complex and mature artistic expression, influenced by various external and internal factors. This article delves into the evolution of Lennon’s songwriting, influenced by notable collaborators and his personal growth, paving the way for a reevaluation of his contributions beyond The Beatles.

Collaborative Influences: McCartney, Harrison, and Ono

Several key figures influenced Lennon’s songwriting, including Paul McCartney, George Harrison, and Yoko Ono. These collaborations brought varying influences that shaped his musical and lyrical expressions.

Paul McCartney

McCartney's partnership with Lennon began early in their careers and continued for over a decade. McCartney introduced Lennon to a more melodically focused approach, evident in songs like A Day in the Life. The two often combined parts of separate songs, such as in the creation of Yesterday, demonstrating a unique blend of their individual styles.

George Harrison

George Harrison's influence went beyond just musical arrangements. His involvement in songwriting showed in the addition of jazz influences, such as in Don’t Let Me Down, and in collaborative efforts that highlighted Lennon's strengths, as seen in There’s a Place and Misery. Harrison’s arrangements and chord progressions were instrumental in the development of Lennon's later works.

Yoko Ono

Yoko Ono’s impact on Lennon was profound, both artistically and personally. Her approach to art and political activism inspired Lennon to write from a more mature and reflective perspective. Collaborative works with Ono, such as Imagine and Happy Christmas, demonstrate a shift towards more profound and politically charged lyrics.

Techniques and Shifts in Style

Lennon’s songwriting techniques evolved significantly over the years, reflecting a move from more structured ballads to more complex and experimental forms. His early work, such as Please Please Me, was characterized by slower tempos and a focus on wordplay, often inspired by artists like Elvis Presley, Chuck Berry, and Roy Orbison.

Technique 1: Slow to Fast

Lennon evolved from writing slow and word-centric songs to more energetic and polished compositions. This technique is evident in songs like Revolution, which he initially wrote as a slow ballad, but later transformed into a vibrant anthem.

Technique 2: Alice in Wonderland

Lennon’s fascination with Lewis Carroll’s nonsensical poetry is reflected in songs like I Am the Walrus and Cry Baby Cry. These lyrical styles were an extension of his playful and surrealistic approach to songwriting, often incorporating references to kings, queens, and other fantastical elements.

End of Life and Late-Era Works

Towards the end of his life, Lennon’s songwriting reflected a deeper emotional maturity and a shift in focus from personal struggles to broader social and political concerns. Although he remained interested in writing a musical, his untimely death prevented him from fully exploring this medium, leaving behind intriguing fragments and demos that showcase his innovative approach to melody and harmony.

Musical Hopes and Unfinished Works

Lennon had a dream to write a musical, initially inspired as early as 1965, and later during his retirement, he made attempts to develop musical pieces reflecting on Liverpool, family, and Tennessee Williams. These endeavors, while not completed, offer a glimpse into his evolving artistic vision.

Conclusion

While Lennon's later solo career may have faced some criticism, his work was significantly influenced by collaborators and his personal growth. This reevaluation brings to light a songwriter who continually evolved, pushing boundaries and exploring new forms of expression, leaving a lasting legacy in the realm of music.