The Indelible Drumming of Keith Moon: A Comparative Journey Through Quadrophenia and Beyond
Keith Moon's drumming is often lauded as one of the most distinctive and innovative in rock history. Many believe that his work on Quadrophenia represented the zenith of his live performance style. However, arguments can be made about other albums that showcased his unique talents in different ways. Let's explore the debate and provide a comprehensive look at Moon's drumming within the context of these seminal albums.
Was Keith Moon's Drumming at Its Best on Quadrophenia?
The best Keith Moon drumming I've heard was live in concert on the tour that followed the Quadrophenia tour. It was similar in style to the drumming on Quadrophenia, but there was a raw, unbridled energy that allowed him to go all out. This performance was the most impressive by a drummer I can recall. The energy, creativity, and spontaneity he brought to his playing were unparalleled.
Other Notable Albums: Tommy
Well, I never listened to Quadrophenia very much, so let's move on to Tommy. Other than Quadrophenia, I would say Tommy might have better showcased Moon's drumming. But then, I've had people on Quora tell me to familiarize myself with Quadrophenia, as it's touted as one of the best drumming albums.
On Tommy, Moon's thunder was well-managed, and he showed some good restraint while still embodying his unique style. He was always creating the song, not just sitting in the background hitting his hi-hat. Many songs from this album are memorable due to his input. Tracks like "I'm Free" would remain memorable, showcasing his drumming prowess. Maybe it's the same on Quadrophenia; I'll have to get into it later.
Comparing Quadrophenia and Who's Next
Yes, Moon was overwhelming on Quadrophenia and I can just listen to him play all day! Dirty Jobs may be my favorite Moon track. I’ve often said they should have just retired rock drums after Moon’s work on Quadrophenia and never let anyone play them again in rock!
I can't agree because I'm not so sure. Maybe. On certain songs from Quadrophenia, he's certainly in form, but there's also the strong possibility that I'm distracted, swayed by John Entwistle's stellar bass playing. Also, someone mentioned that Moon's playing was virtually on par with Who's Next- and I haven’t heard that album, only 1 or 2 tracks.
Overall Peak Performance
I would tend to agree but I don't think it's any better than Who's Next. Around that time, Moon was at his peak. Actually, during that time, the whole band was at its peak, so it all came together then. But Quadrophenia and Who's Next are undoubtedly the best times creatively for the band. From a drumming perspective, Moon and the band were at the pinnacle of their power then.
As with the playing of most musicians, his best drumming was often done alone in a rehearsal studio, unrecorded. From time to time in his prime, he brought out the raw energy that truly set apart his work. This unrestrained approach allowed him to explore and experiment with new sounds and rhythms that were undoubtedly influential in the rock drumming scene.
Ultimately, whether Quadrophenia or other albums like Tommy or Who's Next best showcase Keith Moon's drumming is subjective. Each has its unique qualities and reflections of his unmatched talent.