The Question of Blur Songwriting: Upholding Originality in Britpop

The question of whether Blur, the iconic Britpop band, penned their own songs often arises among fans and music enthusiasts. While the answer is a resounding yes, the truth behind Blur's songwriting extends beyond a simple yes or no. From the influential figures behind the music to the various styles that define their sound, Blur's approach to songwriting is a fascinating exploration of creativity and collaboration.

The Short Answer: Yes, Blur Wrote Their Own Songs

To begin with, the answer to the question is a straightforward yes. Blur, the band formed in 1988, meticulously crafted their own songs, with primary songwriting duties undertaken by lead vocalist Damon Albarn and guitarist Graham Coxon. Their distinctive sound, which blends elements of Britpop, alternative rock, and experimental music, is a testament to their dedication to originality and innovation.

The Extended Answer: A Rich Eclectic Tapestry

The slightly longer answer delves deeper into the band's collaborative process and the distribution of songwriting duties. Blur is typically credited as a collective for many of their compositions. However, the band’s music bears the distinct fingerprints of its members, with Damon Albarn being the principal songwriter for a significant portion of their work, particularly starting from the

1990s. Specific songs like "Far Out," "Parklife," "Best is Yet to Come," and "Modern Life Is Killing Me" were primarily written by Albarn. Graham Coxon, on the other hand, contributed to songs such as "Your Soul," "White ?? colored Guitar" and "Parklife."

Co-writes between Albarn and Coxon are also a common feature, with their collaboration evident in tracks like "Un/******************************************************************************

blur" and "Tender 13." This shared authorship reflects the deep musical bond and trust between the two, showcasing how their individual styles merged to create a cohesive whole. Other band members like Alex James and Matt Tong also played significant roles in various compositions, often providing crucial elements that rounded out the overall sound.

Cover Versions and Collaborations

Beyond their original compositions, Blur has also delved into cover versions for various projects. One notable instance is their cover of "Maggie May" by The Faces, included in the NME compilation album Creem/Creem!. This cover was a collaborative effort, with all members of the band involved, except for bassist Alex James, who refused to be part of the recording due to his dislike for Rod Stewart. Similarly, for the tribute album Who Covers Who, Blur contributed a rendition of "Substitute" by The Who, featuring Coxon on lead guitar. These covers not only showcase the band's versatility but also highlight their respect for the music that influenced them.

Conclusion: A Legacy of Originality

Despite delving into cover versions, Blur's primary pursuit has always been the creation of their own music. Damon Albarn's principal role as a songwriter, along with the collaborative efforts of Graham Coxon and the other band members, has shaped the band's unique sound and vision. Their dedication to writing their own songs has been a cornerstone of their enduring legacy in the Britpop scene and beyond.

Blur's original compositions stand as a testament to their creativity and musical innovation. As they continue to inspire new generations of musicians and fans, the question of whether they wrote their own songs is a reminder of their importance in the evolution of Britpop music.