Using Pure Intervals in Violin Playing Beyond Unison

There's quite a discussion around whether to use pure intervals during violin playing, especially when it comes to intervals beyond the unison. The answer is not a straightforward one, as it depends on a variety of factors including the style of music, the instruments you're playing with, and the personal preferences of the performer. Let's explore this topic in more detail.

Understanding Pure Intervals and Equal Temperament

Pure intervals are those that are tuned to exact mathematical ratios, often more consonant and pleasing to the ear. In contrast, equal temperament is a system where all intervals are sub-divided equally, often making it more flexible and technically easier to play in a wide range of keys.

Early Music and Intonation

When playing early music, the use of just intonation (or pure intervals) is often more appropriate. Early music instruments, such as harpsichords and baroque flutes, were often tuned to a specific partial tuning system, and playing in unison with these instruments would be more harmonious. The elimination of the octave and the use of just intonation would be stylistically accurate and authentically close to the intended sound of the music.

Just Intonation in Practice

To practice and use just intonation effectively, consider tuning the violin in a way that closely matches the tuning of the early music instruments. This can be achieved by playing in unison with other early music instruments, where these intervals are predetermined and thus naturally pure.

Modern Music and Equal Temperament

When playing modern music, especially with modern instruments such as the piano, the use of equal temperament becomes more necessary. The piano, tuned to equal temperament, has a uniform tuning across all keys, which makes it versatile and suitable for a wide range of music. When playing alongside a keyboard or piano, it would be ideal to adhere to the equal temperament tuning to maintain harmonious and balanced sound.

Adapting to Modern Performances

During modern performances, violinists often find themselves adjusting their intonation based on the tuning of the piano. This can lead to a performance that's more in harmony with the modern ensemble. However, this also means that violinists might not always use pure intervals in favor of a more flexible tuning system that aligns better with the modern context.

Personal and Contextual Preferences

Ultimately, the decision to use pure intervals or equal temperament can also be influenced by personal and contextual preferences. Some violinists might prefer to use pure intervals when playing certain pieces for their enhanced consonance, even if it means a more complex tuning. Others might opt for equal temperament for its simplicity and versatility, especially in more contemporary or experimental music.

Conclusion

While there's no single "right" approach to using pure intervals in violin playing beyond the unison, understanding the historical and modern contexts can help performers make informed decisions. It's a blend of style, instrument, and personal preference that dictates whether pure intervals or equal temperament are used.

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Summary

In summary, the decision to use pure intervals in violin playing, particularly for intervals beyond the unison, is influenced by the type of music being played, the instruments involved, and the personal preferences of the performer. Whether to use just intonation or equal temperament requires considering the historical or modern context and the desired outcome of the performance.